EN ⭢ FR
Entrance hall of the Europe Tower, Mulhouse
June 5 - July 5
Opening on saturday June 6
In the series Am Löwentor, Roselyne Titaud turns her gaze toward the museum space. She focuses in particular on dioramas—these staged representations of a living world, whether present or past. Through them, the museum becomes a fictional reconstruction of nature, intended to facilitate an experience and imagination of nature that is both removed from and distinct from the real thing. These images of frozen ecosystems echo other works by the artist composed of photographs of interiors, display cases, or plants. The natural form serves to establish a fundamental link between the designed interior space and the supposedly natural exterior space. The glass display case, for its part, invites reflection on the construction of memory, our recollections, and the distance that separates us from them.
Roselyne Titaud earned her degree in Fine Arts in 2001 and then lived and worked for several years in Saint-Étienne. She exhibited in France, notably at the MAC in Lyon, in Grenoble, and in Arles. In 2009–2010, a residency at the Akademie Schloss Solitude in Stuttgart marked a turning point: she moved to Berlin, where she would remain for fifteen years. This experience earned her recognition from, among others, the MAM in Berlin and the SK Stiftung in Cologne. Enriched by this journey, she moved to Paris in February 2025, where she immediately exhibited the Cosmologies series at the Hermès workshops (a collection of which she is a part) in Pantin.

Roselyne Titaud, Am Löwentor, 2009