{"id":1196,"date":"2026-03-27T13:06:14","date_gmt":"2026-03-27T12:06:14","guid":{"rendered":"https:\/\/www.biennale-photo-mulhouse.com\/2026\/?page_id=1196"},"modified":"2026-05-06T16:22:41","modified_gmt":"2026-05-06T14:22:41","slug":"pep-x-bpm-sedimentations","status":"publish","type":"page","link":"https:\/\/www.biennale-photo-mulhouse.com\/2026\/pep-x-bpm-sedimentations\/","title":{"rendered":"PEP x BPM : S\u00e9dimentation(s)"},"content":{"rendered":"

FR \u2b62 EN<\/a><\/strong><\/span><\/p>\n

PEP x BPM : S\u00e9dimentation(s)<\/span><\/em><\/h1>\n

Sue-Elie Andrade D\u00e9, Elsa Beaumont, Marjolein Blom, Sarah Braeck, Ella Bryant, Yuki Furusawa, Chiara Goia, Jess Gough, Susann Carmen Jagodzinska, Zach Knott, Ruth Lauer Manenti, Artur Le\u00e3o, Jessica Lennan, Sergio Lovati, Anne Moca\u00ebr, Yvette Monahan, Fernande Petitdemange, Julie Rochereau, Angela Tozzi, Ali Uchida, Alyssa Warren, Theo Zeal<\/h2>\n

Biblioth\u00e8que Grand\u2019Rue, Mulhouse<\/strong>
\n5 juin – 4 juillet<\/span>
\ndu mardi au vendredi de 10h \u00e0 12h et de 13h30 \u00e0 18h30, le samedi de 10h \u00e0 17h30 et le dimanche 7 juin de 13h30 \u00e0 18h30\u00a0<\/span>
\nVernissage le samedi 6 juin \u00e0 18h<\/span><\/strong><\/p>\n

Commissaires d\u2019exposition : B\u00e9n\u00e9dicte Blondeau, Anne Immel\u00e9<\/p>\n

Pour leur deuxi\u00e8me collaboration et \u00e0 la suite d\u2019un appel \u00e0 projet international, PEP \u2013 Photographic Exploration Project<\/a> et la Biennale de la Photographie de Mulhouse pr\u00e9sentent une exposition collective travers\u00e9e par la notion de s\u00e9dimentation(s), reliant temps, m\u00e9moire et accumulation, qu\u2019elle soit sociale, naturelle ou intime. Les 22 artistes s\u00e9lectionn\u00e9\u00b7es explorent la superposition des strates de mani\u00e8re singuli\u00e8re, qu\u2019il s\u2019agisse de traces humaines, g\u00e9ologiques, biologiques ou affectives, r\u00e9v\u00e9lant la mani\u00e8re dont ce processus fa\u00e7onne notre perception des lieux, des corps et des exp\u00e9riences v\u00e9cues.<\/p>\n

Dans le champ social et urbain, Elsa Beaumont<\/strong> documente les vies fragilis\u00e9es et l\u2019histoire sociale d\u2019un lieu d\u2019accueil, o\u00f9 les tensions entre int\u00e9rieur et ext\u00e9rieur s\u2019accumulent et laissent dans ses images des strates humaines sensibles. Julie Rochereau<\/strong> s\u2019int\u00e9resse \u00e0 la s\u00e9dimentation entropique d\u2019un paysage, mat\u00e9rialisant par des images fragiles et exp\u00e9rimentales la transformation d\u2019une friche foresti\u00e8re de Romainville, o\u00f9 strates naturelles et interventions humaines se superposent et s\u2019effacent. Anne Moca\u00ebr<\/strong>, quant \u00e0 elle, explore la superposition des ruines, m\u00e9moires et projets urbains dans un quartier de Casablanca en voie d\u2019effacement, r\u00e9v\u00e9lant par la photographie les traces mat\u00e9rielles et \u00e9motionnelles d\u2019une communaut\u00e9 en transition.<\/p>\n

La mati\u00e8re et l\u2019extraction sont explor\u00e9es par Jess Gough<\/strong> dans les carri\u00e8res de calcaire, entre fossiles, marques humaines et accumulations naturelles. Fernande Petitdemange<\/strong> photographie des fossiles historiques pour montrer les strates du temps dans la mati\u00e8re min\u00e9rale, alors que Chiara Goia<\/strong> superpose archives et paysages contemporains \u00e0 Carrara pour r\u00e9v\u00e9ler la m\u00e9moire stratifi\u00e9e de l\u2019extraction de marbre et de ses communaut\u00e9s.<\/p>\n

Marjolein Blom<\/strong> interroge la m\u00e9moire culturelle et les archives en documentant la disparition d\u2019une librairie et des fragments accumul\u00e9s de livres et papiers, mat\u00e9rialisant la stratification des lieux.<\/p>\n

L\u2019intime et les strates de traumatisme familial constituent un autre axe de la s\u00e9dimentation. Sue-\u00c9lie Andrade-De<\/strong> transforme la perte d\u2019une grossesse en strates visuelles et performatives, comparables \u00e0 la formation lente des montagnes. Yuki Furusawa<\/strong> photographie la maison de sa grand-m\u00e8re avant sa d\u00e9molition, r\u00e9v\u00e9lant comment objets et espaces accumulent souvenirs et liens interg\u00e9n\u00e9rationnels. Susann Carmen Jagodzi\u0144ska<\/strong> trace la m\u00e9moire et les traumatismes sur trois g\u00e9n\u00e9rations, o\u00f9 pass\u00e9, pr\u00e9sent et futur s\u2019entrelacent dans le corps et la conscience. Ruth Lauer Manenti<\/strong> documente quant \u00e0 elle le deuil et la transmission familiale, recomposant des fragments visuels pour prolonger les pr\u00e9sences disparues.<\/p>\n

D\u2019autres artistes relient la famille au paysage et \u00e0 la g\u00e9ologie. Alyssa Warren<\/strong> superpose m\u00e9moire familiale, paysage naturel et proc\u00e9d\u00e9s analogiques pour fa\u00e7onner r\u00e9cits et identit\u00e9s sensibles. Zach Knott<\/strong> relie g\u00e9ologie et h\u00e9ritage familial dans les Mendip Hills, o\u00f9 les strates naturelles et personnelles se croisent. Artur Le\u00e3o<\/strong> cartographie strates souterraines et sites ancestraux pour explorer traumatismes et intuitions mystiques. Theo Zeal<\/strong> superpose souvenirs, paysages recompos\u00e9s et traces mat\u00e9rielles pour un r\u00e9cit tactile sur m\u00e9moire et maladie, tandis qu\u2019Ella Bryant<\/strong> mat\u00e9rialise \u00e9tats psychiques fragiles en strates sur le papier photographique. Dans son travail, Ali Uchida<\/strong> explore l\u2019\u00eele de Tsushima, o\u00f9 des m\u00e9moires enfouies se d\u00e9posent dans les montagnes, la mer, les chemins et les maisons, formant de fines strates de lumi\u00e8re qui glissent lentement vers l\u2019inconscient.<\/p>\n

La g\u00e9ologie comme m\u00e9moire humaine est pr\u00e9sente chez Sergio Lovati<\/strong>, o\u00f9 montagnes et fractures deviennent palimpsestes de temps et transformation. Jessica Lennan<\/strong> superpose strates rocheuses et traces de pigment pour dialoguer entre paysage et perception. Angela Tozzi<\/strong> documente quant \u00e0 elle la fonte du glacier du Rh\u00f4ne, o\u00f9 couches de glace, cicatrices et interventions humaines deviennent signes de m\u00e9moire et de r\u00e9sistance face au changement climatique.<\/p>\n

Dans les milieux marins, Yvette Monahan<\/strong> montre comment les corps de poissons accumulent m\u00e9moire et conditions \u00e9cologiques, alors que Sarah Braeck<\/strong> rend visibles les cycles de carbone fix\u00e9s par les algues brunes, superposant strates scientifiques et gestuelles pour r\u00e9v\u00e9ler m\u00e9moire et transformation des \u00e9cosyst\u00e8mes.<\/p>\n

\u00c0 travers ces diff\u00e9rentes approches, la s\u00e9dimentation se d\u00e9ploie comme un outil po\u00e9tique et conceptuel pour penser accumulation, effacement et continuit\u00e9, r\u00e9v\u00e9lant les strates qui composent notre monde, humaines, naturelles ou affectives.<\/p>\n

\"\"<\/p>\n

Zach Knott, The Rule Of Three<\/em>, 2024 – en cours<\/p>\n

\"\"<\/p>\n

Marjolein Blom, Shelves<\/em>, 2024<\/p>\n","protected":false},"excerpt":{"rendered":"

FR \u2b62 EN PEP x BPM : S\u00e9dimentation(s) Sue-Elie Andrade D\u00e9, Elsa Beaumont, Marjolein Blom, Sarah Braeck, Ella Bryant, Yuki Furusawa, Chiara Goia, Jess Gough, Susann Carmen Jagodzinska, Zach Knott, Ruth Lauer Manenti, Artur Le\u00e3o, Jessica Lennan, Sergio Lovati, Anne Moca\u00ebr, Yvette Monahan, Fernande Petitdemange, Julie Rochereau, Angela Tozzi, Ali Uchida, Alyssa Warren, Theo Zeal […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[1],"class_list":["post-1196","page","type-page","status-publish","hentry","category-non-classe"],"acf":{"photo_gallery":{"gallery":[[{"id":1133,"title":"LauerManenti_10","caption":"Ruth Lauer Manenti, 4 Sides of The Table<\/i>, 2022-2024","full_image_url":"https:\/\/www.biennale-photo-mulhouse.com\/2026\/wp-content\/uploads\/sites\/7\/2026\/02\/LauerManenti_10.jpg","thumbnail_image_url":"https:\/\/www.biennale-photo-mulhouse.com\/2026\/wp-content\/uploads\/sites\/7\/2026\/02\/LauerManenti_10.jpg","large_srcset":"https:\/\/www.biennale-photo-mulhouse.com\/2026\/wp-content\/uploads\/sites\/7\/2026\/02\/LauerManenti_10.jpg 1800w, https:\/\/www.biennale-photo-mulhouse.com\/2026\/wp-content\/uploads\/sites\/7\/2026\/02\/LauerManenti_10-768x614.jpg 768w, https:\/\/www.biennale-photo-mulhouse.com\/2026\/wp-content\/uploads\/sites\/7\/2026\/02\/LauerManenti_10-1536x1229.jpg 1536w","medium_srcset":"https:\/\/www.biennale-photo-mulhouse.com\/2026\/wp-content\/uploads\/sites\/7\/2026\/02\/LauerManenti_10.jpg 1800w, https:\/\/www.biennale-photo-mulhouse.com\/2026\/wp-content\/uploads\/sites\/7\/2026\/02\/LauerManenti_10-768x614.jpg 768w, https:\/\/www.biennale-photo-mulhouse.com\/2026\/wp-content\/uploads\/sites\/7\/2026\/02\/LauerManenti_10-1536x1229.jpg 1536w","media_details":{"width":1800,"height":1440,"sizes":{"medium_large":{"file":"LauerManenti_10-768x614.jpg","width":768,"height":614,"mime-type":"image\/jpeg","filesize":43063,"source_url":"https:\/\/www.biennale-photo-mulhouse.com\/2026\/wp-content\/uploads\/sites\/7\/2026\/02\/LauerManenti_10-768x614.jpg"},"1536x1536":{"file":"LauerManenti_10-1536x1229.jpg","width":1536,"height":1229,"mime-type":"image\/jpeg","filesize":91074,"source_url":"https:\/\/www.biennale-photo-mulhouse.com\/2026\/wp-content\/uploads\/sites\/7\/2026\/02\/LauerManenti_10-1536x1229.jpg"}}},"alt_text":"","url":"","target":""}]]}},"yoast_head":"\nPEP x BPM : S\u00e9dimentation(s) - 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