{"id":1182,"date":"2026-03-27T12:53:43","date_gmt":"2026-03-27T11:53:43","guid":{"rendered":"https:\/\/www.biennale-photo-mulhouse.com\/2026\/?page_id=1182"},"modified":"2026-05-07T09:19:29","modified_gmt":"2026-05-07T07:19:29","slug":"limits-of-control-jenia-fridlyand","status":"publish","type":"page","link":"https:\/\/www.biennale-photo-mulhouse.com\/2026\/limits-of-control-jenia-fridlyand\/","title":{"rendered":"Limits of control, Jenia Fridlyand"},"content":{"rendered":"

FR \u2b62 EN<\/a><\/strong><\/span><\/p>\n

Limits of control<\/em><\/span><\/h1>\n

Jenia Fridlyand<\/h2>\n

Mus\u00e9e des Beaux-Arts, Mulhouse<\/strong>
\n5 juin – 20 septembre <\/span>
\ntous les jours sauf le mardi, de 10h \u00e0 13h et de 14h \u00e0 18h\u00a0\u00a0<\/span>
\nVernissage le vendredi 5 juin \u00e0 18h30
\n<\/span><\/strong>Toute la programmation autour de l’exposition sur https:\/\/beaux-arts.musees-mulhouse.fr\/<\/a><\/span><\/em>
\n<\/span><\/strong><\/p>\n

Commissaire d\u2019exposition : Nigel Baldacchino<\/p>\n

Premi\u00e8re exposition en France de la photographe am\u00e9ricaine Jenia Fridlyand, Limits of Control<\/em> <\/span>est une s\u00e9lection de photographies issues d’un travail r\u00e9alis\u00e9 \u00e0 Cuba entre 2017 et 2019. Une connexion \u00e9trange avec une culture et des paysages qui lui \u00e9taient pourtant inconnus a \u00e9t\u00e9 rendue possible par l’enfance de la photographe en Union Sovi\u00e9tique, juste avant la Perestro\u00efka, un terrain lui aussi en train de s’effondrer. Forte de ce lien et d’une pratique photographique ancr\u00e9e dans la tradition am\u00e9ricaine, Jenia Fridlyand s’est immerg\u00e9e dans l’environnement intrins\u00e8quement al\u00e9atoire de l’\u00eele, laissant le hasard jouer un r\u00f4le essentiel dans la r\u00e9alisation de ses photographies.\u00a0<\/p>\n

N\u00e9e en 1975 \u00e0 Moscou, Jenia Fridlyand est une photographe et enseignante bas\u00e9e \u00e0 New York et dans la vall\u00e9e de l\u2019Hudson. Ses photographies et ses livres ont \u00e9t\u00e9 expos\u00e9s aux \u00c9tats-Unis et \u00e0 l\u2019\u00e9tranger. Son livre d\u2019artiste <\/em>Entrance to Our Valley<\/span> a \u00e9t\u00e9 s\u00e9lectionn\u00e9 pour le Paris Photo \u2013 Aperture First Photobook Award en 2017, et l’\u00e9dition commerciale (TIS Books) en est \u00e0 sa troisi\u00e8me impression. Son travail ult\u00e9rieur a fait l’objet d’une exposition individuelle \u00e0 la Fototeca de Cuba \u00e0 La Havane en 2023 et para\u00eetra prochainement sous la forme d’une monographie, <\/em>Mango Season <\/span>(the Agency \/ Steidl). Elle est repr\u00e9sent\u00e9e par la Galerie Wouter van Leeuwen, Amsterdam.
\n<\/em>Jenia Fridlyand est la cofondatrice d’Image Threads, un collectif \u00e9ducatif \u00e0 but non lucratif, et pr\u00e9side le Long Term Photobook Program de la Fondation Penumbra \u00e0 New York. Elle a \u00e9tudi\u00e9 la photographie au Centre Iris et \u00e0 l’Universit\u00e9 Paris VIII, et est titulaire d’une ma\u00eetrise en beaux-arts du programme international de r\u00e9sidence limit\u00e9e de l’Universit\u00e9 de Hartford.<\/em><\/p>\n

jenia.net<\/a><\/p>\n

\"\"<\/p>\n

Jenia Fridlyand, Limits of control<\/em>, 2017-2019<\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

FR \u2b62 EN Limits of control Jenia Fridlyand Mus\u00e9e des Beaux-Arts, Mulhouse 5 juin – 20 septembre tous les jours sauf le mardi, de 10h \u00e0 13h et de 14h \u00e0 18h\u00a0\u00a0 Vernissage le vendredi 5 juin \u00e0 18h30 Toute la programmation autour de l’exposition sur https:\/\/beaux-arts.musees-mulhouse.fr\/ Commissaire d\u2019exposition : Nigel Baldacchino Premi\u00e8re exposition en […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[1],"class_list":["post-1182","page","type-page","status-publish","hentry","category-non-classe"],"acf":{"photo_gallery":{"gallery":[[{"id":1183,"title":"5(1)","caption":"Jenia Fridlyand, Limits of control<\/i>, 2017-2019","full_image_url":"https:\/\/www.biennale-photo-mulhouse.com\/2026\/wp-content\/uploads\/sites\/7\/2026\/03\/51.jpg","thumbnail_image_url":"https:\/\/www.biennale-photo-mulhouse.com\/2026\/wp-content\/uploads\/sites\/7\/2026\/03\/51.jpg","large_srcset":"https:\/\/www.biennale-photo-mulhouse.com\/2026\/wp-content\/uploads\/sites\/7\/2026\/03\/51.jpg 874w, https:\/\/www.biennale-photo-mulhouse.com\/2026\/wp-content\/uploads\/sites\/7\/2026\/03\/51-768x617.jpg 768w","medium_srcset":"https:\/\/www.biennale-photo-mulhouse.com\/2026\/wp-content\/uploads\/sites\/7\/2026\/03\/51.jpg 874w, https:\/\/www.biennale-photo-mulhouse.com\/2026\/wp-content\/uploads\/sites\/7\/2026\/03\/51-768x617.jpg 768w","media_details":{"width":874,"height":702,"sizes":{"medium_large":{"file":"51-768x617.jpg","width":768,"height":617,"mime-type":"image\/jpeg","filesize":78354,"source_url":"https:\/\/www.biennale-photo-mulhouse.com\/2026\/wp-content\/uploads\/sites\/7\/2026\/03\/51-768x617.jpg"}}},"alt_text":"","url":"","target":""}]]}},"yoast_head":"\nLimits of control, Jenia Fridlyand - 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