{"id":370,"date":"2024-06-03T12:25:11","date_gmt":"2024-06-03T10:25:11","guid":{"rendered":"https:\/\/www.biennale-photo-mulhouse.com\/2024\/?page_id=370"},"modified":"2024-10-09T12:00:26","modified_gmt":"2024-10-09T10:00:26","slug":"ingrid-weyland-topographies-of-fragility","status":"publish","type":"page","link":"https:\/\/www.biennale-photo-mulhouse.com\/2024\/ingrid-weyland-topographies-of-fragility\/","title":{"rendered":"Ingrid Weyland, Topographies of fragility"},"content":{"rendered":"

FR\/ENG \u2193<\/span><\/strong><\/p>\n

Topographies of fragility<\/em><\/span><\/h1>\n

Ingrid Weyland<\/h2>\n

Espace public\u00a0 (6 rue du Canal d\u2019Alsace; Rue du 151\u00e8me RI, devant le complexe sportif et la maison foresti\u00e8re), Hombourg<\/strong>\u00a0<\/p>\n

13 septembre 2024 – \u00e9t\u00e9 2025
\n<\/span><\/p>\n

24\/24h<\/span><\/p>\n

Ingrid Weyland a parcouru le sud de l’Argentine jusqu’\u00e0 la calotte glaciaire du Groenland \u00e0 la recherche de paysages d’une beaut\u00e9 et d’une atmosph\u00e8re particuli\u00e8res, presque surr\u00e9alistes, o\u00f9 la pr\u00e9sence humaine semble inexistante. Lors d’un voyage en Islande, elle constate avec tristesse les graves d\u00e9gradations environnementales dues \u00e0 l’activit\u00e9 humaine. Boulevers\u00e9e, elle imagine une m\u00e9taphore visuelle permettant de transmettre \u00e0 la fois la beaut\u00e9 des paysages et leurs d\u00e9cadences. L’artiste joue de la mat\u00e9rialit\u00e9 de l’image imprim\u00e9e en la manipulant et en la tordant. La man\u0153uvre tente d’encourager le public \u00e0 r\u00e9fl\u00e9chir \u00e0 la fragilit\u00e9 de la nature, ainsi qu’\u00e0 la fragilit\u00e9 humaine elle-m\u00eame. Une feuille de papier froiss\u00e9e ne peut jamais retrouver sa forme originale ; la trace persiste. De la m\u00eame mani\u00e8re, la nature qui est envahie avec irrespect est irr\u00e9m\u00e9diablement endommag\u00e9e.<\/p>\n

Ingrid Weyland est n\u00e9e \u00e0 Buenos Aires, en Argentine. Issue d’une famille de sculpteurs et d’architectes, elle a grandi au milieu des crayons de couleur, des papiers d’art, des plans, des encres et de l’argile. Sa passion pour la forme, l’image et la composition qui en a d\u00e9coul\u00e9 l’a amen\u00e9e \u00e0 \u00e9tudier le graphisme \u00e0 l’universit\u00e9 de Buenos Aires (UBA) et \u00e0 ouvrir son propre studio. Plus tard, elle d\u00e9cide de se consacrer \u00e0 l’apprentissage de la photographie en participant \u00e0 plusieurs ateliers organis\u00e9s par Ana S\u00e1nchez Zinny, Angela Copello, Fabiana Barreda, Julieta Escard\u00f3, Juan Brath, Proyecto Imaginario ou encore Ver\u00f3nica Fieiras. D’abord photographe portraitiste, Ingrid Weyland se concentre d\u00e9sormais sur les paysages \u00e9vocateurs exprimant la fragilit\u00e9 de l’environnement naturel.<\/p>\n

L\u2019exposition a \u00e9t\u00e9 r\u00e9alis\u00e9e en partenariat avec le festival Alt.+1000<\/a>, sur une proposition de Morgane Paillard, directrice.<\/strong><\/p>\n

Ingrid Weyland has traveled from southern Argentina to the Greenland icecap in search of landscapes of particular beauty and atmosphere, almost surreal, where the human presence seems non-existent. On a trip to Iceland, she was saddened to see the serious environmental degradation caused by human activity. Upset, she devised a visual metaphor to convey both the beauty of the landscape and its decay. The artist plays with the materiality of the printed image, manipulating and twisting it. The maneuver attempts to encourage the public to reflect on the fragility of nature, as well as human fragility itself. A crumpled sheet of paper can never return to its original form, but the trace remains. In the same way, nature that is disrespectfully invaded is irreparably damaged.<\/em><\/span><\/p>\n

Ingrid Weyland was born in Buenos Aires, Argentina. <\/em><\/span>Being part of a family of sculptors and architects, she grew up among coloured pencils, art papers, blueprints, inks, and clay. Her passion for form, image, and composition arises from them, which led her to study Graphic Design at the University of Buenos Aires (UBA) and set up her own practice. Later she decided to dedicate herself to learning photography, something she had always been passionate about, attending several workshops by Ana S\u00e1nchez Zinny, Angela Copello, Fabiana Barreda, Julieta Escard\u00f3, Juan Brath, Proyecto Imaginario, and Ver\u00f3nica Fieiras, amongst others. Initially a portrait photographer, Ingrid now focuses on evocative landscapes expressing fragility of the natural environment.<\/em> <\/span><\/p>\n

The exhibition was organized in partnership with the Alt.+1000 festival, based on a proposal by Morgane Paillard, director.<\/em><\/strong><\/span><\/p>\n

www.instagram.com\/ingridwey\/<\/a><\/p>\n

www.ingridweyland.com\/<\/a><\/p>\n

\"\"<\/p>\n

Ingrid Weyland, Topographies of fragility.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

FR\/ENG \u2193 Topographies of fragility Ingrid Weyland Espace public\u00a0 (6 rue du Canal d\u2019Alsace; Rue du 151\u00e8me RI, devant le complexe sportif et la maison foresti\u00e8re), Hombourg\u00a0 13 septembre 2024 – \u00e9t\u00e9 2025 24\/24h Ingrid Weyland a parcouru le sud de l’Argentine jusqu’\u00e0 la calotte glaciaire du Groenland \u00e0 la recherche de paysages d’une beaut\u00e9 […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[9],"class_list":["post-370","page","type-page","status-publish","hentry","category-expositions"],"acf":{"photo_gallery":{"gallery":[[{"id":371,"title":"Copie de IngridWeyland_04","caption":"Ingrid Weyland, Topographies of fragility <\/i>","full_image_url":"https:\/\/www.biennale-photo-mulhouse.com\/2024\/wp-content\/uploads\/sites\/6\/2024\/05\/Copie-de-IngridWeyland_04.jpeg","thumbnail_image_url":"https:\/\/www.biennale-photo-mulhouse.com\/2024\/wp-content\/uploads\/sites\/6\/2024\/05\/Copie-de-IngridWeyland_04.jpeg","large_srcset":"https:\/\/www.biennale-photo-mulhouse.com\/2024\/wp-content\/uploads\/sites\/6\/2024\/05\/Copie-de-IngridWeyland_04.jpeg 1000w, https:\/\/www.biennale-photo-mulhouse.com\/2024\/wp-content\/uploads\/sites\/6\/2024\/05\/Copie-de-IngridWeyland_04-768x515.jpeg 768w","medium_srcset":"https:\/\/www.biennale-photo-mulhouse.com\/2024\/wp-content\/uploads\/sites\/6\/2024\/05\/Copie-de-IngridWeyland_04.jpeg 1000w, https:\/\/www.biennale-photo-mulhouse.com\/2024\/wp-content\/uploads\/sites\/6\/2024\/05\/Copie-de-IngridWeyland_04-768x515.jpeg 768w","media_details":{"width":1000,"height":671,"sizes":{"medium_large":{"file":"Copie-de-IngridWeyland_04-768x515.jpeg","width":768,"height":515,"mime-type":"image\/jpeg","filesize":133245,"source_url":"https:\/\/www.biennale-photo-mulhouse.com\/2024\/wp-content\/uploads\/sites\/6\/2024\/05\/Copie-de-IngridWeyland_04-768x515.jpeg"}}},"alt_text":"","url":"","target":""}]]}},"yoast_head":"\nIngrid Weyland, Topographies of fragility - 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