{"id":143,"date":"2024-06-20T15:02:41","date_gmt":"2024-06-20T13:02:41","guid":{"rendered":"https:\/\/www.biennale-photo-mulhouse.com\/2024\/?page_id=143"},"modified":"2024-11-19T13:46:31","modified_gmt":"2024-11-19T12:46:31","slug":"commissaires-sonie-voss-steve-bisson","status":"publish","type":"page","link":"https:\/\/www.biennale-photo-mulhouse.com\/2024\/commissaires-sonie-voss-steve-bisson\/","title":{"rendered":"Commissaires invit\u00e9\u00b7es et associ\u00e9\u00b7es"},"content":{"rendered":"

FR\/ENG<\/span><\/strong><\/p>\n

Commissaires invit\u00e9\u00b7es et associ\u00e9\u00b7es
\nGUest and associate curators\u00a0<\/em> <\/span><\/h1>\n

Sous la direction artistique d’Anne Immel\u00e9, la programmation 2024 de la Biennale de la Photographie de Mulhouse a \u00e9t\u00e9 confi\u00e9e \u00e0 des commissaires d’exposition invit\u00e9\u00b7es et associ\u00e9\u00b7es.<\/p>\n

Under Anne Immel\u00e9’s artistic direction, the 2024 program of the Mulhouse Biennial of Photography has been assigned to guest and associate curators.<\/em><\/span><\/p>\n

Sonia Voss<\/span><\/h2>\n

\"\"<\/p>\n

Portrait de Sonia Voss par Patrick Chiha<\/p>\n

Commissaire de Monuments et Immortelles<\/em><\/span><\/a>, Chapelle Saint-Jean, Mulhouse<\/strong><\/p>\n

Sonia Voss est auteur et commissaire d\u2019exposition ind\u00e9pendante. Son exploration de la photographie est-allemande l\u2019a conduite \u00e0 pr\u00e9senter entre autres l\u2019exposition Corps impatients<\/em> aux Rencontres d\u2019Arles 2019. Plus r\u00e9cemment, elle a \u00e9largi son champ de recherche aux sc\u00e8nes de divers pays d\u2019Europe de l\u2019Est dans les ann\u00e9es 1970 et 1980. Elle \u00e9tait par ailleurs commissaire invit\u00e9e du Prix D\u00e9couverte Louis Roederer aux Rencontres d\u2019Arles 2021. Dans cette perspective contemporaine, elle accompagne plusieurs artistes parmi lesquels Isabelle Le Minh, Anton Roland Laub, Thibault Brunet et Orianne Ciantar Olive. Elle collabore r\u00e9guli\u00e8rement avec des maisons d\u2019\u00e9dition, dont Atelier EXB avec laquelle elle pr\u00e9pare actuellement une monographie du photographe japonais Kusukazu Uraguchi. Elle vit entre Paris et Berlin.<\/p>\n

Sonia Voss is an author and independent curator. Her exploration of East German photography led her to present, among others, the exhibition <\/em>Corps impatients at Rencontres d\u2019Arles in 2019. More recently, she has extended her field of research to the scenes of various Eastern European countries in the 1970s and 1980s. She was also the guest curator of the Prix D\u00e9couverte Louis Roederer at Rencontres d\u2019Arles in 2021. In this contemporary perspective, she supports a number of artists, including Isabelle Le Minh, Anton Roland Laub, Thibault Brunet, and Orianne Ciantar Olive. She regularly collaborates with publishing houses, including Atelier EXB, with whom she is currently preparing a monograph on the Japanese photographer Kusukazu Uraguchi. She lives between Paris and Berlin.<\/em><\/span><\/p>\n

www.soniavoss.com\/fr\/<\/a><\/p>\n

www.instagram.com\/sonia.voss\/<\/a><\/p>\n

Steve Bisson<\/span><\/h2>\n

\"\"<\/p>\n

Portrait de Steve Bisson par Alessandro Mallamaci<\/p>\n

Commissaire de Cloud Physics<\/em><\/a><\/span> et Fixing the Shadows<\/em><\/a><\/span>, Thann<\/strong><\/p>\n

Steve Bisson est un enseignant, un commissaire d\u2019exposition et un \u00e9diteur sp\u00e9cialis\u00e9 dans la recherche et la cr\u00e9ation d\u2019images. Il dirige le d\u00e9partement de photographie du Paris College of Art. \u00c0 Paris, il a cofond\u00e9 Blurring the Lines, un r\u00e9seau universitaire international qui encourage le talent et le dialogue dans le domaine de l\u2019\u00e9ducation. Au cours des quinze derni\u00e8res ann\u00e9es, il a contribu\u00e9 \u00e0 plusieurs expositions et festivals dans le monde entier, ainsi qu\u2019\u00e0 d\u2019innombrables livres et \u00e9crits. Il est \u00e9galement le r\u00e9dacteur en chef de Urbanautica Institute, plateforme sur l\u2019anthropologie visuelle et les paysages culturels, fondateur de la maison d\u2019\u00e9dition Penisola Edizioni et directeur artistique de Lab27 en Italie.<\/p>\n

Steve Bisson is an educator, curator and publisher focusing on research and image-making. Chair of Photography Department at the Paris College of Art. In Paris he co-founded Blurring the Lines, an international academic network fostering talent and dialogue in education. In the past 15 years he contributed to several exhibitions and festivals all over the world, and to countless books and writings. Editor-in-chief of Urbanautica Institute, platform on visual anthropology and cultural landscapes. Founder of the publishing house Penisola Edizioni. Currently art director of Lab27 in Italy.<\/em> <\/span><\/p>\n

www.stevebisson.com\/<\/a><\/p>\n

www.instagram.com\/steve.bisson\/<\/a><\/p>\n

Sergio Valenzuela-Escobedo<\/span><\/h2>\n

\"\"<\/p>\n

Portrait de Sergio Valenzuela-Escobedo par Nicola Noemi Coppola<\/p>\n

Commissaire de Oro Verde<\/em><\/span><\/a>, La Filature, Mulhouse<\/strong><\/p>\n

Sergio Valenzuela-Escobedo est un chercheur chilien multidisciplinaire, travaillant dans les champs du commissariat et de l’\u00e9dition, en particulier photographiques. Il d\u00e9tient un doctorat en photographie de l’\u00c9cole Nationale Sup\u00e9rieure de la Photographie (ENSP) d’Arles Ses int\u00e9r\u00eats r\u00e9sident dans l’exploration des formes \u00e9mergentes de la photographie en tant qu’entreprise artistique ax\u00e9e sur la recherche, la consid\u00e9ration des expositions comme des plates-formes pour le discours critique, et l’examen des influences du modernisme et des contextes pr\u00e9colombiens sur l’art contemporain. Gr\u00e2ce \u00e0 ses recherches, il \u00e9claire la relation complexe entre l’art et la politique dans le paysage d\u00e9colonial en \u00e9volution du 21e si\u00e8cle. Il a \u00e9t\u00e9 le commissaire de Mapuche<\/em> au Mus\u00e9e de l’Homme \u00e0 Paris ou encore de Monsanto: Une enqu\u00eate photographique<\/em> et For\u00eats g\u00e9om\u00e9triques. Luttes en territoire Mapuche<\/em> aux Rencontres d\u2019Arles. Il est \u00e9galement directeur artistique et co-fondateur de doubledummy studio, un laboratoire ind\u00e9pendant d\u00e9di\u00e9 \u00e0 la promotion du discours critique et des r\u00e9flexions sur la jeune photographie documentaire.<\/p>\n

Sergio Valenzuela-Escobedo is a Chilean multidisciplinary researcher, working in the fields of curating and publishing, particularly in photography. He holds a PhD in photography from the \u00c9cole Nationale Sup\u00e9rieure de la Photographie (ENSP) in Arles. His interests lie in exploring emerging forms of photography as a research-driven artistic enterprise, considering exhibitions as platforms for critical discourse, and examining the influences of modernism and pre-Columbian contexts on contemporary art. Through his research, he sheds light on the complex relationship between art and politics in the evolving decolonial landscape of the 21st century. He curated <\/em>Mapuche at the Mus\u00e9e de l’Homme in Paris, as well as <\/em>Monsanto: Une enqu\u00eate photographique and <\/em>For\u00eats g\u00e9om\u00e9triques. Luttes en territoire Mapuche at Rencontres d’Arles. He is also artistic director and co-founder of doubledummy studio, an independent laboratory dedicated to promoting critical discourse and reflection on young documentary photography.<\/em><\/span><\/p>\n

www.instagram.com\/valenzuela_escobedo\/?hl=fr<\/a><\/p>\n

Hanna Weber<\/span><\/h2>\n

\"\"<\/p>\n

Commissaire de <\/strong>Troubled surface \/ Surface troubl\u00e9e<\/strong><\/em><\/span><\/a> , DELPHI_space, Fribourg-en-Brisgau (DE)<\/strong><\/p>\n

Hanna Weber est conservatrice et historienne de l\u2019art. Sa pratique curatoriale se concentre sur les repr\u00e9sentations des paysages modifi\u00e9s par l\u2019humain et sur les processus de travail collectif. Elle a \u00e9t\u00e9 commissaire d\u2019expositions au KINDL – Zentrum f\u00fcr zeitgen\u00f6ssische Kunst, Berlin, DELPHI_space Freiburg et St\u00e4dtische Galerie Kunsthaus L6 Freiburg, entre autres. En 2016, elle a cofond\u00e9 le collectif de commissaires CUCO – curatorial concepts berlin. Hanna Weber a soutenu un certain nombre d\u2019artistes, notamment Taiyo Onorato & Nico Krebs, Sharon Harper, Hans-Christian Schink, Ben Zank, Bernhard Fuchs et Brooke Didonato.<\/p>\n

Hanna Weber is a curator and art historian. Her curatorial practice focuses on representations on human-altered landscape and collective work processes. She has curated exhibitions at KINDL – Zentrum f\u00fcr zeitgen\u00f6ssische Kunst, Berlin, DELPHI_space Freiburg and St\u00e4dtische Galerie Kunsthaus L6 Freiburg, among others. In 2016 she co-founded the curatorial collective CUCO – curatorial concepts berlin. Hanna Weber has supported a number of artists, including Taiyo Onorato & Nico Krebs, Sharon Harper, Hans-Christian Schink, Ben Zank, Bernhard Fuchs and Brooke Didonato.<\/em><\/span><\/p>\n

www.hannaweber.com\/<\/a><\/p>\n

www.instagram.com\/hanna_e_weber\/<\/a><\/p>\n

Micha\u00ebl Guggenb\u00fchl<\/span><\/h2>\n

Commissaire de Paul Wolff : l’exp\u00e9rience photographique, l’image \u00e9dit\u00e9e<\/em><\/span><\/a> , Biblioth\u00e8que Grand’Rue, Mulhouse<\/strong><\/p>\n

Micha\u00ebl Guggenb\u00fchl, conservateur des biblioth\u00e8ques, est charg\u00e9 des Collections \u2013 Fonds patrimoniaux au sein de la Biblioth\u00e8que municipale de Mulhouse depuis 2019. \u00c0 la faveur de ses diff\u00e9rents postes de conservateur responsable des collections patrimoniales en Berry, en Auvergne et actuellement en Alsace, s\u2019est int\u00e9ress\u00e9 \u00e0 des figures des lettres et des arts aussi diverses que Sebastien Brant, Blaise Pascal, Maurice Rollinat, Bernard Naudin, Maurice Busset, Godefroy Engelmann, Jean-Jacques Henner, etc., avec une sensibilit\u00e9 particuli\u00e8re pour les arts graphiques, la bibliophilie contemporaine et le livre de photographie. \u00c0 Mulhouse, il a assur\u00e9 le commissariat de plusieurs expositions s\u2019appuyant sur le patrimoine \u00e9crit et graphique de la Biblioth\u00e8que municipale (Dans le sillage de la Nef des fous de S\u00e9bastien Brant<\/em>, 2022 ;\u00a0 Le petit monde de Pierre Probst, livres et dessins originaux<\/em>, 2023), en particulier dans le domaine de la gravure contemporaine (Notes blanches, gravures de Daniel Clochey<\/em>, 2019 ; Bon \u00e0 tirer, Dans l\u2019atelier de Claude Gebhardt, gravures, dessins et livres d\u2019artiste,<\/em> 2021 ; Variations sur un th\u00e8me, gravures et collages d\u2019Erwin Heyn,<\/em> 2022). \u00c0 l\u2019initiative de l\u2019exposition Approches du regard. Lacs \/\/ jardins, photographies d\u2019Anne Immel\u00e9 (<\/em>2021), dont r\u00e9alisation d\u2019un livre d\u2019artiste associant l\u2019atelier de reliure de la Biblioth\u00e8que.<\/p>\n

Micha\u00ebl Guggenb\u00fchl, library curator, has been in charge of the Collections – Patrimonial Funds at the Mulhouse Municipal Library since 2019. Through his various positions as curator in charge of heritage collections in Berry, Auvergne and currently Alsace, he has taken an interest in literary and artistic figures as diverse as Sebastien Brant, Blaise Pascal, Maurice Rollinat, Bernard Naudin, Maurice Busset, Godefroy Engelmann, Jean-Jacques Henner, etc., with a particular sensitivity to the graphic arts, contemporary bibliophily and photography books. In Mulhouse, he has curated several exhibitions based on the municipal library’s written and graphic heritage (<\/em>Dans le sillage de la Nef des fous de S\u00e9bastien Brant, 2022; <\/em>Le petit monde de Pierre Probst, livres et dessins originaux, 2023), particularly in the field of contemporary engraving (<\/em>Notes blanches, gravures de Daniel Clochey, 2019; <\/em>Bon \u00e0 tirer, Dans l’atelier de Claude Gebhardt, gravures, dessins et livres d\u2019artiste, 2021; <\/em>Variations sur un th\u00e8me, gravures et collages d\u2019Erwin Heyn, 2022). Initiator of the exhibition <\/em>Approches du regard. Lacs \/\/ jardins, photographies d’Anne Immel\u00e9 (2021), including production of an artist’s book in association with the Library’s bookbinding workshop.<\/em><\/span><\/p>\n

SARAH GIRARD<\/span><\/h2>\n

Commissaire de Big Fish<\/em><\/a><\/span>, La KunsTURM, Tour de l’Europe (22e \u00e9tage), Mulhouse<\/strong><\/p>\n

Artiste photographe et m\u00e9diatrice culturelle de formation, Sarah Girard est directrice du festival annuel de photographie e\u0301mergente \u00ab\u00a0Les Journe\u0301es photographiques de Bienne\u00a0\u00bb depuis 2018. Elle fait partie du groupe d\u2019expert\u00b7es du cercle curatorial de Photobasel, de la commission de la Fondation pour la photographie, le film et la vide\u0301o du Kunstmuseum de Berne et est re\u0301gulie\u0300rement experte dans le cadre de prix photographiques (Truepicture, near., etc.), pour des lectures de portfolios et des workshops. En 2019, elle a contribu\u00e9\u0301 au lancement de la premi\u00e8re Enque\u0302te photographique Jura bernois. Elle est membre du conseil d\u2019administration du journal Le Temps et du conseil de la fondation b\u00e2loise Sophie et Karl Binding. \u00a0<\/p>\n

A trained photographer and cultural mediator, Sarah Girard has been the director of the annual festival of emerging photography Bienne Festival of Photography since 2018. She is a member of the Photobasel curatorial circle’s expert group, the commission of the Kunstmuseum Bern’s Foundation for Photography, Film and Video, and a regular expert for photographic prizes (Truepicture, near., etc.), portfolio readings and workshops. In 2019, she contributed\u0301 to the launch of the first Enqu\u00eate photographique Jura bernois. She is a member of the board of Le Temps newspaper and the board of the Basel-based Sophie and Karl Binding Foundation.<\/em> <\/span><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

FR\/ENG Commissaires invit\u00e9\u00b7es et associ\u00e9\u00b7es GUest and associate curators\u00a0 Sous la direction artistique d’Anne Immel\u00e9, la programmation 2024 de la Biennale de la Photographie de Mulhouse a \u00e9t\u00e9 confi\u00e9e \u00e0 des commissaires d’exposition invit\u00e9\u00b7es et associ\u00e9\u00b7es. Under Anne Immel\u00e9’s artistic direction, the 2024 program of the Mulhouse Biennial of Photography has been assigned to guest […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[5],"class_list":["post-143","page","type-page","status-publish","hentry","category-a-propos"],"acf":{"photo_gallery":{"gallery":[[{"id":277,"title":"Mauve_10 (1)","caption":"Julien Mauve, Ile Libellule<\/i>, 2016-2018.","full_image_url":"https:\/\/www.biennale-photo-mulhouse.com\/2024\/wp-content\/uploads\/sites\/6\/2024\/05\/Mauve_10-1.jpg","thumbnail_image_url":"https:\/\/www.biennale-photo-mulhouse.com\/2024\/wp-content\/uploads\/sites\/6\/2024\/05\/Mauve_10-1.jpg","large_srcset":"https:\/\/www.biennale-photo-mulhouse.com\/2024\/wp-content\/uploads\/sites\/6\/2024\/05\/Mauve_10-1.jpg 2000w, https:\/\/www.biennale-photo-mulhouse.com\/2024\/wp-content\/uploads\/sites\/6\/2024\/05\/Mauve_10-1-768x512.jpg 768w, https:\/\/www.biennale-photo-mulhouse.com\/2024\/wp-content\/uploads\/sites\/6\/2024\/05\/Mauve_10-1-1536x1025.jpg 1536w","medium_srcset":"https:\/\/www.biennale-photo-mulhouse.com\/2024\/wp-content\/uploads\/sites\/6\/2024\/05\/Mauve_10-1.jpg 2000w, https:\/\/www.biennale-photo-mulhouse.com\/2024\/wp-content\/uploads\/sites\/6\/2024\/05\/Mauve_10-1-768x512.jpg 768w, https:\/\/www.biennale-photo-mulhouse.com\/2024\/wp-content\/uploads\/sites\/6\/2024\/05\/Mauve_10-1-1536x1025.jpg 1536w","media_details":{"width":2000,"height":1334,"sizes":{"medium_large":{"file":"Mauve_10-1-768x512.jpg","width":768,"height":512,"mime-type":"image\/jpeg","filesize":86869,"source_url":"https:\/\/www.biennale-photo-mulhouse.com\/2024\/wp-content\/uploads\/sites\/6\/2024\/05\/Mauve_10-1-768x512.jpg"},"1536x1536":{"file":"Mauve_10-1-1536x1025.jpg","width":1536,"height":1025,"mime-type":"image\/jpeg","filesize":293396,"source_url":"https:\/\/www.biennale-photo-mulhouse.com\/2024\/wp-content\/uploads\/sites\/6\/2024\/05\/Mauve_10-1-1536x1025.jpg"}}},"alt_text":"","url":"","target":""}]]}},"yoast_head":"\nCommissaires invit\u00e9\u00b7es et associ\u00e9\u00b7es - 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